February

Wavelog

February 2005 News

WAVELENGTH CHANGES
There are some changes coming. I think that's all that needs to be said. Oh, I'd go to www.wavelengthtoronto.com and bookmark that site right now. It will be a lot more active in the future!

WAVELENGTH TURNS FIVE!
Wavelength is having its fifth anniversary festival. This year will surely impress with four nights of ruckus rock. The Vermicious Knid, The Constantines, Jon-Rae Fletcher & The River, Final Fantasy, The Blow, Two Koreas and more. Flip through the zine for details.

IT'S HIS TIME TO SHINE

Dan Burke is plotting right now. It's Canadian Music Week soon and Dan will surely have a big show planned to combat the festival - or will he? It looks like this year Dan's showcase will not be part of the festival but will be recognized. It makes no sense to me either. Not only is Dan putting on one show, he's doing three. He's bringing the Zoobombs in from Japan to play for three shows. Hot local openers will be announced soon.

BATTLE OF THE BANDS!

Speaking of which, CMW is near and that means a plethora of hard-rock bands from Sudbury, North Bay and Brampton will be playing all the good bars that week (like the 360 Club). Maybe if you attend the festival and get really drunk and close your eyes you can just pretend you're in Austin, Texas. But I digress. Cuff the Duke, Lullabye Arkestra, Femme Generation and a few other great bands will be playing, so check your local listings.

THIS KID IS ONE BUSY BOY
You may have heard the name Eric Warner, but maybe you haven't seen him. That's probably because the guy moves at speeds that would be baffle you. On top of doing the whole school/work/promoter thing, he's got the Over The Top Festival, which looks like it will be (sorry, but) over the top this year. He's also got a new project called Busy Bodies, with five new releases coming out in a variety of formats by the likes of: Japanther/Viking Club, Newfound Interest in Connecticut, Matt Pond PA, The Sour Keys/Vermicious Knid and The Holy Shroud. Info: www.wearebusybodies.com.

FEBRUARY BLUES
It's been two issues without some news on Shameless Magazine, so here goes. Issue three will be released on Sunday February 20th at the Gladstone with an afternoon all-ages party. The Diskettes will be coming in from Montreal to play the gala. As always, it's $5 to attend and that gets you a copy of the magazine too. There will be prizes, giveaways and fun. Fuck you, if you can think of a better thing to do on a Sunday Afternoon.

FLOPPY DISC

Speaking of the Diskettes, the bossa-nova duo (say what? - Antonio Carlos Jobim) from Montreal have their sophomore release on Blocks Recording Club on February 22nd. Also on Blocks is the highly anticipated Final Fantasy album. Final Fantasy are riding the gravy train right now as they were on tour opening for the Arcade Fire throughout the USA.

BORCHERDT (PRONOUNCED BO-RCH-ER-DT)
Dependent Records head honcho, Brian Borcherdt, has a side project called Holy Fuck featuring friends of his doing live loops. They are playing CMW at some point and also playing SXSW. Holy Fuck will be throwing a party at SPIN Gallery in April and will also be playing the Wavelength Anniversary Party. Holy Fuck, that's a lot of great news.

THE ROAD IS NEARER
Jon-Rae & The River (the old River from B.C.) released a saucy little LP called The Road in late 2003. Between starting a new life in Toronto, changing bands and moving forward in life, Jon-Rae didn't bring many copies to Toronto. But they are here now just in time to satiate your fix until the new new album comes out (May 2005). You can find The Road at shows, Soundscapes and Rotate This.

BORN LOSERS
Grasshopper's Born Loser cassette from 1992 has been reissued on vinyl for the first time as Protection Records' first release. The remastered re-release features liner notes by Jonny Dovercourt, plus new artwork, photos and lyric sheets. Get it at Rotate This and Play de Record or check . Also in March, Protection Records releases the new Grasshopper Soundclash double 12-inch. Derek Madison a.k.a. DJ Grasshopper spins at Mikey Apples' Shack.Up at the Queenshead on March 3 as a release party.

BY STEVEN HIMMELFARB

Yacht

YACHT is Jona Bechtolt, a young man I first met when he was on tour with The Badger King in 2002. He's lent his considerable talents to many bands and projects, and with YACHT he proves he can create that same magic as a soloist too. In all his endeavours (even with the hardest rocking, most danceable beats), Jona imbues his work with a dreamy quality that makes him seem like he's floating between our world and an enchanted musical wonderland. I used the Internet as a conduit to visit Jona there.

Travel seems to be an integral part of your musical career - you tour a lot, and you've come through Toronto at least half a dozen times with various bands. If you imagined YACHT as a kind of journey, what kind of journey would it be, and why? I think that I do imagine YACHT as a journey almost all of the time. I use music as an excuse to travel around the world and meet amazing people like you, Kat. It's been an ever-changing and growing journey for me both musically and personally. I feel like this journey isn't going to end anytime soon and it's only going to get more elaborate, magical and more personal. It's hard to interact with people when all I have is a computer. This journey is about "bossing" that. You know, like when you boss Super Mario.

I typed "YACHT" into the Internet Movie Database. While there are no films titled YACHT, the closest match was an Argentinean film from 1949 titled The Yacht Isabel Arrived this Afternoon. If you imagined YACHT as a film, what would it look like/be about, and why? These are nice questions. I edit all of the music I make with a computer, visually, so sometimes I associate songs, or parts of songs, with waves because of the song's actual waveforms. Then there's all of the things I'm thinking about while making the songs. My favorite way to make songs right now is to use a small recording of something memorable happening and limiting myself to only using the sound in that moment. For instance, for something as mellow as hanging out with someone I love, finding the cough or creak in the chair to make the beat is really fun.
I guess the YACHT film would look like a castle and be all about a magical school where young wizards go to learn to harness their powers.

The first time I saw you perform, it was with The Badger King, which was at that time working on a rock opera about eels. If YACHT was to create a "concept album magnum opus," what themes or subjects would you explore? I'm sort of in the middle of a similar project. There will be some sort of visual counterpart, maybe not an entire film like the TBK opera, but something in that vein. The theme is going to be centered around a magical school where young wizards go to learn to harness their powers. The main character's name is Henry Pitter.

Yachts are often considered to be a mode of transportation reserved only for the rich leisure class. If YACHT's music could be described as a mode of transportation, what would it be, and why? Hover-board. No, no... velocipede.

Finally, a practical question - tell me what's coming up for YACHT. You've got a 10" LP/CD/DVD coming out soon, but you've also been very busy recording and collaborating with other musicians. Where would you like to take YACHT next, not just on tour, but also musically? I'd like to learn more about melody. I know beat well, but melody I don't know so well. I feel like I could learn from Meredith Monk, Hildegard of Bingen and Marianna Ritchey. I'm always trying to challenge myself and learn more magic. I'm in the middle of making a new YACHT full-length, a YACHT split 12" with Lucky Dragons (all Nirvana songs), a new Blow full-length, some tracks for the new Bobby Birdman album, and playing drums for the new Devendra Banhart album. I want to take YACHT on tour in Mexico, Hawaii, Egypt and Japan in 2005 or 2006.

BY KAT GLIGORIJEVIC

The Constantines

Pitchfork Media called The Constantines, aka Horsey Craze, aka The Constantines debut album "perfect," and their follow up Shine A Light was the must-have album of that year in Toronto. Ryan McLaren talked to Doug MacGregor about luck and life and to Steve Lambke about music in the city.

While going on this ride of popularity, have you ever felt that maybe you've taken the wrong path? Or do you feel the opposite? Doug MacGregor: Yes and no. Mistakes, yes. Wrong path, no. I guess it all depends on what you call the wrong path. For this guy, the wrong path begins and ends with "let's do this one funky."

Do you feel lucky? DM:Since about age nine, yes.

Do you see where you are now in life, the good and the bad, as a matter of destiny, or chance or focused determination? DM: A little bit of luck, a lot of work, a lot of fun, and lots of love.

What are some things that you are currently hoping to achieve? DM: Well, by the time we play this show, we should be about half way through recording a new record, so that's about all that's on my mind these days. So, a new record in 2005 is about it.

What's something you get excited about? DM: Spring.

I heard that the first Constantines show was at Wavelength four years ago. If that's true, how does it feel to be headlining one of the Anniversary nights? Steve Lambke: Wavelength was not our first show. I just checked the archives, and it was around our 30th show as a band. Nevertheless, of course we're excited! To call it an institution would drain the fun from it, but Wavelength is what it is, and it's a great thing, a great night. It's impossible to imagine the thriving Toronto indie scene without it. I'm super excited we're playing the anniversary. I'm excited that we're playing with The Creeping Nobodies again. All the shows are going to be great. We're going to be in the studio on the tenth, but I'm going to make it to Cinecycle. Save me a spot in the pit for the Lullabye set. That'll be me drunkenly screaming for "All I Can Give Ya."

You're opening up for the Weakerthans on a new tour, right? How did that come about? SL: We toured with them in the American southwest in late 2003 and really hit it off musically and personally. After a couple of shows together last fall on the way home from the Pop Montreal Festival we got each other excited about the idea of a coast to coast Canadian tour. It's a LONG tour. We're hoping for good weather. The Weakerthans are a great band, and the idea is that we'll be playing with some of the best bands across the country. It's going to be fun.

What music are you listening to these days? Are there any new or upcoming bands that are pIQUing your interest? SL: We just did a ten-day tour in the states with Oakley Hall, which is the new band fronted by Papa Crazee who used to play in Oneida. When they make it up here sometime, you all have to check it out. My favourite bands in town these days are Brutal Knights, The Bicycles, and the Sea Snakes (have you heard their cover of "It Makes No Difference"? Holy holy!). Nathan Lawr. Nate, I love you, I'm sorry I was screaming for "Spanish Armadas" through your whole set at the El Mocambo, but I really love that song. And, of course, the almighty Lullabye Arkestra. I've been listening obsessively to that song "Sloppy Ground" off the most recent Silt record. I love Andre Ethier's record, and the Ghost Story record, and I think when the new Deadly Snakes record comes out it's going to be all over. In a good way. I realize that most of these bands aren't "new" or "upcoming" but what can I say? I don't get out enough.

What's your favourite city/town in Canada? SL: Dude, Toronto. But, there are a lot of great towns in this country. I've become oddly and unexpectedly patriotic in the last few years. Maybe it's all that Gordon Lightfoot. St. John's, Halifax, Montreal, Winnipeg, Edmonton, Dawson City.

BY RYAN MCLAREN

SATURDAY -- WL250

Jon-Rae & the River
JON-RAE & THE RIVER
Saturday Feb. 12, 11pm @ The Music Gallery
First played WL 206, last played WZF III (Nov. '04)
www.deerandbird.com/jonrae.html
Drunk-gospel-country-rock troubadour Jon-Rae Fletcher has set the Torontopia ablaze since moving here from Vancouver just over a year ago. Permafrost Records will release his first disc with his T.O.-freak back-up crew The River later this year.

Jon-Rae's Top Five:
1. Music
2. Food
3. Sex
4. Friends
5. Love

Final Fantasy
FINAL FANTASY
Saturday Feb. 12, 10:20pm @ The Music Gallery
First played WL 212
www.blocksblocksblocks.com
Owen Pallett's incredible solo voice-violin-and-looping-pedal project has suddenly threatened to overshadow his home band, Les Mouches. He returns from a tour opening for The Arcade Fire to play WL250, with the release of Has a Good Home on Blocks set for this very date!!

Shawn Hewitt
SHAWN HEWITT
Saturday Feb. 12, 9:40pm @ The Music Gallery
First played WL 181 during zine hiatus, so see interview here. www.schmusic.com
Shawn Hewitt's Top Five things in no order, inspired by Wavelength and all its wonder:
* The first time I heard Can
* The first time I saw Deep Dark United play at Wavelength
* Moving back to Scarborough rather than moving to Parkdale
* The growing madness of the Toronto music scene
* First time noticing someone singing along and getting most of the words wrong

Holy Fuck
HOLY FUCK
Saturday Feb. 12, 9pm @ The Music Gallery
First played WL 148, last played WL 234
www.dependentmusic.com
Holy Fuck! It's Dependent Music boss and boss singer/songerwriter Brian Borcherdt, messing around with live loops alongside friends including King Cobb Steelie bassist Kevin Lynn. Holy fuck - these guys have hooked up a collaboration with rapper Beans, of Antipop infamy.

Brian Borcherdt's Top Five
1. Hey Jonny,
2. sorry to cop out on this.
3. I just can't think of
4. anything
5. at the moment.

Actually, there was that time that the pubic hair got stuck in the projector during the Michael Snow, Wavelength film screening. And then there was the time I was going to meet my date at Wavelength. The lighting at Ted's was pretty bad; we couldn't even find each other. She ended up getting drunk with the guys from Mogwai (who were heckling Doc Pickles from their perch at the bar). Then she left with them. Actually, that was more of a sad moment. But there's at least two "best of..." moments here if you include Doc getting heckled (God love him... he had it coming).

Thanksgiving
THANKSGIVING
Saturday Feb. 12, 8:20pm @ The Music Gallery
WL newcomer!
www.marriagerecs.com/thanksgiving
See interview here.

FRIDAY -- WL250

The Cons
THE CONSTANTINES
Friday Feb. 11, 12:15am @ Lee's Palace
First played WL 49, last played WL 75
www.constantines.ca
See interview here.
Doug MacGregor's Top Five:
1. The first snowfall.
2. Public ice rinks.
3. The last snowfall.
4. Spring.
5. Dawson City last July.

The Creeping Nobodies
THE CREEPING NOBODIES
Friday Feb. 11, 11:30pm @ Lee's Palace
First played WL 86, last played WL 164
www.thecreepingnobodies.com
Formed out of the ashes of Parts Unknown by WL co-founder Derek Westerholm and friends in 2001, the Creeps remain one of T.O.'s sharpest purveyors of avant-garde rock'n'roll. Their `04 disc Stop Movement Stop Loss is available through the Blocks Recording Club.

Paddy O'Donnell's Top Five
1. My nephews Karl and Grant
2. Family and friends
3. Personal music successes and setbacks
4. Time spent at CIUT
5. Time spent at Wavelength

Masia One
MASIA ONE
Friday Feb. 11, 10:45pm @ Lee's Palace
First played WL 219
www.masiaone.com
Probably the only artist to be both a regular at Wavelength and on MuchVibe, MC/architect Masia One is skilled at making hip-hop, indie and jazz audiences feel equally comfortable. For this show, as with many others, she'll be backed up by members of Afro-beat crew Ultra Magnus.

Masia One's Top Five
1. Mississauga people
2. Aritzia sponsorship
3. Roosbeh introducing me to Jackie Mittoo
4. Astro Black, i.james.jones and the Romantic Gangsta
5. Manhattan Club and the advent of Dema Dog

Kids on TV
KIDS ON TV
Friday Feb. 11, 10pm @ Lee's Palace
First played WL 201
KOTV, meanwhile, must be the only WL vets to have collaborated with the "Karma Chameleon" himself, Boy George, who recently lent his vocal talents to the dance-punk crew's "Breakdance Hunx." They're currently shopping a five-song demo, someone pick it up already!

Kids on TV's Top Five:
1. Good quality boots
2. Good quality beats
3. Good quality boys
4. Doing it no matter what
5. Good quality nachos at 3:30am

S.S. Cardiacs
S.S. CARDIACS
Friday Feb. 11, 9:15pm @ Lee's Palace
First played WL 212
www.sscardiacs.com
Montreal refugee and unrepentant pop kid Jessie Stein is an equally talented singer, songwriter and guitarist, and now she's got a new rhythm section in Mike Small (Meligrove Band) and Leon Taheny (Germans). The record's in the can... labels??

JessieSteinAintNoCayote between the lines of age says top five:
1. Wisening Polemics
2. Wisecrack semantics
3. Well meaning Poetics
4. Righteous Romantics
5. I know lots of people have been trying hard to mean it.

THURSDAY -- WL250

Lullabye Arkestra
LULLABYE ARKESTRA
Thursday Feb. 10, 12:15am @ Cinecycle
First played WL 141, last played WL Zine Fundraiser II
www.lullabyearkestra.com
Love and destruction have been brought together by the LullArk since we (WL) brought core members Justin and Katia together back at our first anniversary weekend. They ballooned to become a band that loves so hard it hurts.

Justin & Katia's Top Five
1. Someone Is Flying, Deep Dark United. Feb 9th. First Wavelength Anniversary. Love at first sight.
2. Toronto-Montreal-Toronto
3. The new bass cab. The oncoming end of the world.
4. The gift of wine, the wisdom of gourmet experiments.
5. Lullabye Arkestra. Feb 10th. Fifth Wavelength Anniversary, love at first sight.

The World Provider

THE WORLD PROVIDER

Thursday Feb. 10, 11:30pm @ Cinecycle
First played WL 102, last played WL 214
www.theworldprovider.net
The WP: Montreal's own karaoke cowboy rock king! His 2004 disc Enabler is available on Ta Da! Records, through Outside.

The World Provider's Top Five
1. Good Canadian music getting some worldwide props
2. Top 10 pop getting good again
3. The decline of glib cleverness in and of itself as an artistic virtue
4. The fall of Mike Harris and Mel Lastman
5. The continuing exploits of Vincent Gallo

The Vermicious Knid
THE VERMICIOUS KNID
Thursday Feb. 10, 10:45pm @ Cinecycle
First played WL 131
www.thevermiciousknid.com
These four lads have been keeping the Ontario all-ages scene alive, both with their tight post-punk rock, and involvement in the Ford Plant collective venue in their hometown of Brantford.

Tim Ford's Top Five
1. Spider goats - I just watched a program that they put a spider gene in a goat that made them have silk in their milk... and scientists could spin this. How messed is that?!
2. Sourkeys - the band, not the candy.
3. Steve and Rick... my kitties.
4. Brantford finally solidifying financially-generating businesses in the downtown core. The ghosts still haunt it though.
5. The Toronto scene finally having a sense of community, instead of a competition of cool. I in part thank Wavelength, Umbrella Music, and numerous labels and bands that make coming to the big, scary city welcoming.

YACHT
Thursday Feb. 10, 10pm @ Cinecycle
WL newcomer! See interview here.
www.teamyacht.com

LAL
Thursday Feb. 10, 9:15pm @ Cinecycle
First played WL 234
www.lalforest.com
Better known for years as community organizers, Rosina Kazi and Nick Murray are just now starting to due props for their electronic soul, as heard on their latest full-length for Public Transit Recordings, Warm Belly High Power.

LAL's Top Five

1. TR606 drum machine
2. Chlose (daughter of Stephen Murray aka Rustic Hut aka brother of Murr)
3. Montreal in the summer
4. Pot
5. Paintings by Elizabeth McIntosh

The Burnettes

With the release of their sophomore album, We'd Better Be Dreaming (Go-Rock Records), Vancouver's Chris and Cora Burnette are set to hit Toronto with songs about "friends, foes, family and the end of the world." Matt Blair spoke with Cora just moments after she had installed MSN Messenger.

WHAT EXACTLY IS "NEW WAVE COUNTRY KITCHEN PARTY POP?" Who knows? We've been having a hard time describing our music, and that was a compilation of a few different suggestions. I guess we're just trying to get across the various genres we like and see them come across in the songs. Every song is a little different, so that makes for a long description. Chris and I are very different musically in a lot of ways, and that's just what comes out.

YOU PRESENT YOURSELF AS BEING FROM A ROOTS BACKGROUND, WITH CHRIS BEING MORE PUNK ORIENTED. WHEN YOU COME TOGETHER TO WRITE, IS IT GENERALLY THE TWO OF YOU PLAYING THOSE SAME ROLES? It's hard to say. Every song is different. We both have a long-lived love for punk rock, but Chris has actually been playing in punk bands since he was like 12, and I have always leaned toward writing rock, folk and blues based songs. I guess that's what happens when you're locked in a room with just you, a guitar and a shitload of Zeppelin albums. Chris definitely adds an electrical element, and our songs are a combination of both. But I must say, they all stem from good old-fashioned down-home front porch jamming.

DO YOU FIND THAT YOUR RELATIONSHIP AFFECTS YOUR CREATIVE PARTNERSHIP? We don't try and hide the fact that we're together on stage or anything, and we've even been known to bitch at each other pre-show (okay, just me bitching at him). But what it comes down to is that we love playing together, and making music together. A huge part of it is the recording process. We do everything ourselves at home and love it. I won't lie and say its all roses. Anyone who's ever worked with their mate knows that it's a lot of work and not always easy, but it's very rewarding. Besides, Chris is my guitar hero, so what's not to enjoy? Plus, now we have a mediator on tour with us, which is always nice! We call him "the Ref."

THE REF? Our new drummer. His name is Kreg "Mung" Brow, and he comes from a post-industrial noise background, but we convinced him that folk music was good for the soul. And when things get ugly between me and Chris, he'll just stare off into the distance until we shut up. It works out great.

YOUR MUSIC IS OBVIOUSLY THE PRODUCT OF A VERY INVOLVED LEVEL OF COLLABORATION BETWEEN THE TWO OF YOU. DO YOU FIND THAT ON STAGE, YOUR SUPPORTING MUSICIANS BRING A LOT OF THEMSELVES INTO THE MUSIC? Yes. We much prefer that whoever plays with us writes their own parts. And no, what you hear on the record is not necessarily what you'll hear at a show. The albums are quite layered, with Chris and I adding and playing whatever instruments and parts we feel, and whatever noisemakers are at our disposal. But at a show, or the ones on this tour anyways, you'll be hearing two dueling distorted acoustic guitars, and a full drum kit. No bells and whistles this time.

ON YOUR FIRST ALBUM, THERE'S MORE OF A PLAYFUL SOUND. THE NEW ALBUM, IN CONTRAST, SOUNDS A LITTLE BIT MORE SOMBRE. I've heard that. We're always evolving, I guess. For this album we had a lot of songs we wanted to get out of us. It's all cathartic in a way, isn't it? So it just wound up that way. Chris actually calls it a really dark album, so it's interesting that you pointed that out. I think we were experimenting more with different sounds and techniques. Hey, who knows? Maybe the next album will be all banter! I don't know.

BY MATT BLAIR

Rock Plaza

Rock Plaza Central's delightful dirges sound like hay being spun into hurt at Black Creek Pioneer Village. It is both stomach and butter-churning. If you can get your sheep sheared in time, you should come check them out at Wavelength 252 on February 27. Bunk Bedouin donned a bonnet and stepped into the world of Rock Plaza Central's Chris Eaton, to discuss love and rockets (not the band).

QUERY: HAVE YOU, OR HAVE YOU NOT, EVER BUILT MODEL ROCKETS AND FIRED THEM IN FRONT OF A GROUP OF NEIGHBOURHOOD CHILDREN IN A SUBURBAN CUL-DE-SAC? For the most part, my experience with neighbourhood children was sitting on my fire escape in Sackville, NB, and watching them smoke up behind the laundromat while I wrote songs. Last Canada Day, though, my wife and I went to Guelph for no reason. We were the kids that time. A bunch of people who lived by the railroad tracks were drinking beer on the front lawn and lighting fireworks inside a metal garbage can. If only one of them had asked me to drink from the same bottle, my night would have been complete.

IT SEEMS SOMETIMES THAT BEAUTY IN MUSIC COMES ALMOST EXCLUSIVELY FROM SADNESS. IS THIS BECAUSE HAPPINESS JUST ISN'T BEAUTIFUL, OR BECAUSE THE MISERABLE HAVE THE MOST TO SAY? Sadness is an interesting subject for me. Because the last album sounds so irretrievably sad, and there are a few songs about heartbreak, and one about my mother getting breast cancer, but I think of most of it as being pretty happy. It's about falling in love. Just with a lot of minor keys. Perhaps falling in love is sad in its own way. Because you're so happy in those periods, and you almost expect it to come crashing down around you. You never know. Happiness is gorgeous. So is sadness. But it's uncertainty that has the most to say. It's funny. Now that I'm ecstatic with my life, I expect all my new songs to be really uplifting. But even with the big harmonies and horn flourishes, I'm expecting to get the same questions.

I READ IN TODAY'S 24 HOURS THAT THE BANJO HAD BEEN RECENTLY ARRESTED ON CHARGES OF INDECENT OVEREXPOSURE. 100% agree. The same thing happened with the cello in the mid to late `90s. I hope there isn't a backlash against the banjo in general, though. It's a wonderful instrument. Most acoustic stringed instruments are. And it would be a shame to lose it when it's used well because a few too many people use it... um... not so well.

YOUR WONDERFUL SONGS REMIND ME OF RIDING IN MY PARENT'S CAR ALONG ONE OF THOSE HIGHWAYS THAT CONNECT ONTARIO TOWNS. THE ONES STILL LITTERED WITH ABANDONED BARNS AND WHEAT FIELDS; MID-DAY. NOT MENACING, JUST SORT OF, DESOLATE AND WELCOMING AT THE SAME TIME. I'M ASSUMING YOU KNOW WHAT I MEAN, EVEN THOUGH I DON'T KNOW WHERE YOU GREW UP. I grew up largely in Moncton. I went to high school with Mike Feuerstack (Wooden Stars, Snailhouse), Rick White (Eric's Trip, Elevator) and Chris Thompson (Eric's Trip, Moonsocket). Mike moved in Grade 10, though. My first Toronto show was in 1995, and Mike was on the same bill. He was already bald and I had grown a beard, and it took some time to realize he was the guy who dated my friend Debbie.

DO YOU MISS CUTTING THE LAWN IN THE SUBURBS? My Dad refused to cut the lawn. In the middle of this well-groomed hood, we had hay about three feet high. The city ordered him to cut it. He said if it was their lawn, they could mow it themselves. They sent a kid around one day, and I watched him break three mowers before he gave up.

SOMETIMES, I WISH I'D BEEN A COP - THEY LOOK LIKE THEY HAVE SO MUCH FUN AT LUNCH! THEY'RE ALWAYS SAYING STUFF LIKE "HEY, MCMURTY - IS THAT MY MEATBALL SUB?" YOU KNOW? Do cops eat at Gandhi's Roti? If so, I'm in.

THEIR ROTIS ARE THE SIZE OF THROW PILLOWS! I ADORE GANDHI'S ROTI. SPEAKING OF LOVE - IS BEING IN LOVE PAINTING A LANDSCAPE, OR PUTTING IT UP IN A MUSEUM?
Being in love is everything.

BY BUNK BEDOUIN

The Bicycles

The Bicycles have been playing their unique Super Pop around Toronto for five years. To celebrate, they've decided to record an album. Ryan McLaren emailed some questions to Drew Smith and Matt Beckett, who passed them on to Andrew Scott. I bet he has to unload all the gear too.

WHAT ARE THE NAMES OF EVERYONE IN THE BAND AND WHAT DO THEY ALL DO? Matt Beckett: Hands on hips and roll the eyes... Now your doing the Beckett just like Matt! He just discovered reggae music and can play the solo to "Smoke on the Water" (though it may take him a few tries)... at least he told me he could. Drew Smith: I know Drew Eats and Sleeps... he befriends homeless people... umm... he takes any chance he can to take potshots at me (probably because I do the same to him). He can dance better than any of us other Bikes. Dana Snell: Brings her Mom to shows, keeps us focused. She's more man than the rest of the band put together AND she has a good reason for singing like a girl (whereas the rest of us don't). Randy Lee: Tries really, really hard not to completely perv-out around someone until he really gets to know them (but doesn't always succeed). He drives. Or at least lends us his car for late night Drive-Thru. Andrew Scott: That's me. I play trumpet. That is all.

THE BICYCLES' SOUND IS COMPLETELY DIFFERENT FROM ANYTHING ELSE BEING MADE IN TORONTO. WHAT ARE SOME OF YOUR INFLUENCES? I KNOW DREW'S A BIG FAN OF THE ARCHIES. After I'd been in the Bikes for a week or so (I met them the same day I played my first show with them!), Matt and Drew accompanied myself and FuzzyLogic [Recordings'] Maria Bui (our new boss!) on a magical New Year's Eve get-to-know-each-other trek to Barrie (don't ask), and I was blown away that Matt and Drew picked Marcos Valle, Margo Guyrian and Quasi out of my trip CDs to sing along to (and we did!), so those are always in my mind as influences. There are too many others really... and we don't ALL agree on that sort of stuff ALL the time. We've covered The Kinks, Harry Nillsson, The Velvet Underground... do those count?

SO... ALBUM? Well, we're done tracking and it's en route to mixing, which hopefully won't be too painful. Actually it feels weird to be able to say that it WILL actually be soon. I think we actually thought we'd be done a lot sooner but we just kept writing more songs and learning how to record more effectively with each new one and subsequently having to go back and fix all of the mistakes we made on the previous ones. NEVER TRY TO RECORD DRUMS LAST. We knew this already, but did that stop us?

ANDREW IS NOTOROUS (SIC) FOR PLAYING WITH A NUMBER OF BANDS, AND DANA ALSO PLAYED WITH THE S.S. CARDIACS. DO ANY OF THE REST OF THE BICYCLES HAVE SIDE PROJECTS? Wow, I'm notorous?? Check it out dudes, I'M NOTOROUS! Take that!!! Dana's not playing for the Cardiacs anymore but I know she joes around with some of Toronto's rock notables, Cloak and Dagger styles I hear. Drew, Maria and Meligrove Jay [Nunes] have a song coming out shortly on a kids compilation under the moniker "The Poos" or maybe "The Poohs". I think Randy has formed a band with his new, slimmer, network-ready Playstation 2 of late, and Matt stopped playing in The Weekend to concentrate on The Bicycles. Now The Weekend have a tour bus. We still just have Randy's car.

CAN YOU DO SOMETHING ABOUT ALL THIS SLUSH? They have straws at 7-11 that are a bit bigger than regular for that sort of thing...and at the bottom they're flattened out into a sort of spoon-like contraption for getting the very last bits. Look out for the brain freeze though. And don't go for the jumbo size ones. No one ever finishes those ones without ending up sick or diabetic.

BY RYAN MCLAREN

Old Soul

Luca Maoloni is truly an unusual dude when it comes to these here circles of peoples in local bands. As majority stockholder architect and baffling multi-instrumentalist of The Old Soul, he's released a self-titled album which is dropping jaws and filling underwears all over the place for its sheer scope in terms of melody, harmony, arrangement, attention to detail and willingness to embrace the truest and most satisfying hallmarks of the pop music dream. You don't hear records this accomplished and thorough very often, even [especially?] on the world stage. To have it brewed, fermented and distilled in your own backyard, well... fuckin' A. Luca is an outspoken, unabashedly opinionated mang as well. In many ways he's an Anti-Indie Rock figure And let me tell you, from someone who is too old for cliquish teen beat flash-in-the-pan horseshit in the independent music world, that is a breath of fucking fresh air too. Hey, this opinionated thing works!

Andrew Lloyd Moseby talked to The Man in a no-name café over "espress," in a truck navigating a blizzard and in ALM's apartment over a beer, in that order - about the things, what is good and what is simply unnecessary, in this labour of love we call being in a band.

[Luca playing some new demos] So y'know what we're gonna fuckin' do man? Two records.

ALBUM? One a band thing, and one Luca.

OH YEAH... WHO IS THIS LUCA JOKER? He's a fuckin' prick I tell you.

WHERE'D YOU RECORD THIS STUFF? At Andy [Magoffin]'s. Good old fuckin' Andy's.

OH YEAH... WHO IS THIS ANDY GUY? You know, I love this stuff like this - bass, drums and piano. Right now I'm just gonna leave it like this. Ben Folds Five, man. Ben Folds Three, man. My ears are fuckin' freezing. Hey I got a toque, all right!

LET ME ASK YOU ABOUT "RIVER OF DAUGHTERS" (FROM THE OLD SOUL) Okay.

WHEN YOU USED TO PLAY IT IN WHITE STAR LINE, THE LYRICS WERE COMPLETELY DIFFERENT, AND NOW IT SOUNDS LIKE YOU JUST WENT THROUGH THEM ALL AND CHANGED THEM BASED ON SOUND OR TONE TO MAKE NONSENSE POETRY. Yeah.

IS THAT WHAT YOU DID? That's pretty much the whole record, except "All My Godz." Every lyric was written while I was recording the vocals - whatever sounded proper. That's just what I figured out after I changed everything and looked at it.

THAT'S WHAT WEEN DOES - THEY NAME THE SONG AND THEN WRITE THE LYRICS FOR IT. This stuff [the demos] is incoherent right now... before the trumpets, autoharp... a choir singing... I think I'm gonna trade in all my CDs for tapes.

[...] (after unprintable shared tirade) I dunno, man. There's a lot of animosity between bands it seems... especially if you're not part of the right clique.

YOU DON'T HAVE TO TELL ME.
I know, it's like, fuck! Then they'll judge you on anything, like, "you shouldn't practice, you should wing it, off the cuff, `cuz that's what we do"... someone once said that to Jay (Anderson, Old Soul drummer). From then on, they couldn't even look at each other. They're like the two babies in The Simpsons.

THAT'S JUST PEOPLE BEING DEFENSIVE BECAUSE THEY'RE THREATENED. Some people see a band playing pop songs and they get intimidated by it, man. Why? You may not like it, or it may not be your cup of tea, but don't get intimidated because we practice a lot and try to make a cool song. We're not trying to show you up.

IT'S NOT ABOUT THEM ANYWAY. And that's the problem with all these bands which are all about style and the new wave resurgence - you know what it is? People who can't play instruments and who don't know how to write a song trying to make music. And their excuse is, "it's Art." Dude! Fucking practice!

LEARN THE RULES BEFORE YOU BREAK THEM. Absolutely.

BY WESLEY J RAMOS

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